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Chilean Hacker Uses Anonymous Coward As Nom De Hacker
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Now Texas Is Wondering Why Amazon Doesn't Pay State Taxes
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Why Is The FCC Subsidizing The Least Efficient Providers Of Rural Telco Services?
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Driving Distractions Are, Indeed, Distracting
While this isn't at all surprising, what does it mean for the various attempts to legislate against driver distractions? Despite some attempts to ban distractions one by one, it's never going to be possible to ban all driver distractions. You can't make it illegal to talk to someone else in your car or even to change the radio station while driving (though, who knows...). The real issue shouldn't be to focus on banning each and every driver distraction, but in educating drivers to the dangers they face with those distractions, making it clear that they need to be extra careful while engaged in any such activity, and that it's best not to do any such thing in heavy or highly variable traffic. Yes, there will always be some folks who ignore this and assume they can drive just fine with these distractions -- but those people would do the same thing even if the distractions were banned.
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Is Canada Considering A Three Strikes And You're Off The Internet Policy?
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Actors Now Fighting For Royalties That Will Make It Harder For Big Studios To Compete
However, just as it was wrong for the producers to be demanding a fee for every usage, so is it wrong for the writers and the actors to be demanding such a fee. All it will do is make it much more difficult, time consuming and expensive for any of that content to go online. And that will open up much wider opportunities for other content to go online instead, decreasing the overall value of the content made under these agreements. It's hard to fault the actors (like the writers) for looking out for their short-term interests and demanding the same sorts of things that the producers have demanded of everyone else -- but it's setting up a bad situation over the long-term, where the studios under these agreements won't be able to adapt to the changing media landscape.
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Will Self-Control Work For In-Flight Internet Access?
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Social Networking Sites Turn Outward
The New York Times reports on MySpace's new Data Availability project, which will allow third-party websites to automatically import information from a user's profile, saving the user the hassle of re-entering it on a bunch of different sites. As the Bits blog says, this is a smart move and could be the start of an important trend toward making MySpace a more outward-focused platform. Facebook wasted no time in announcing a program of its own called Facebook Connect that will have similar functionality. And now it looks like Google will rolling out an extension for Open Social that will provide some of the same features. We've said before that the achilles heel of social networking sites is that they're so inwardly-focused. In the long run, it's going to be difficult for any site—even one as large and technically savvy as Facebook or MySpace, to get users to stay inside of a walled garden. The site that figures out how to be a platform that other sites use for identity management will have a huge advantage in the long run. MySpace and Facebook appear to regard this kind of outwardly-focused platform as the next frontier in social networking.
They're going to face some serious challenges in the privacy department, though. We discussed the privacy dilemma with Facebook apps back in January, and both Facebook and MySpace are going to have to grapple with the same set of issues with their new strategies. On the one hand, they need to lock things down sufficiently that one bad (or compromised) application can't suck down a ton of private user data and do bad things with it. On the other hand, if they are too restrictive, it will limit the usefulness of their platforms and discourage third-party websites from using them at all. Striking this balance, and coming up with security mechanisms that give sites the information they need without giving away the store, will be crucial to these initiatives' success.
I think it's possible that these problems will prove intractable. Ordinarily, when we talk about an "open API," we mean an API that anybody can use without any kind of pre-approval, and that doesn't constrain how data received through the API is used. Obviously, MySpace and Facebook aren't going to want to offer an API that's open in this sense; there's too much potential for mischief if an application can trick a user into authorizing a malicious application. So unless they can come up with a really elegant mechanism for limiting the spread of information, there's going to have to be a vetting process, which will mean extra overhead that limits how quickly the platform can grow. It's going to take a lot of ingenuity to make these platforms open enough that a lot of potential partners can participate while keeping them closed enough that they don't become vehicles for the bad guys to cause problems.
Timothy Lee is an expert at the Techdirt Insight Community. To get insight and analysis from Timothy Lee and other experts on challenges your company faces, click here.
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EA Backs Down On Controversial DRM
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BBC Upset That Fans Are Knitting Dr. Who Characters
It's nearly impossible to see how a fan getting people to knit versions of Dr. Who characters somehow diminishes the rights of the BBC. All it's doing is enabling fans (who are also into knitting) to express their fandom. If anything, the BBC should be encouraging this kind of fan support, rather than trying to stifle it and shut it down. It's stunning that after all these years, people still don't realize that helping fans express their feelings towards something is a good thing, rather than infringement.
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Blogging vs. Journalism Question A Key Point In Compelling The Troll Tracker To Testify
However, Frenkel's nemesis, patent attorney Ray Niro responded by scoffing at these claims, and ticking off the reasons why Frenkel should not be considered a journalist. Unfortunately, in doing so, Niro displays a rather profound ignorance concerning what it means to be a journalist (one would hope that his work with patent hoarders is not so sloppy). In the link above, Joe Mullin does a good job picking apart Niro's points, but let's take a closer look. First, Niro says Frenkel is not a journalist because he's unqualified: "Frenkel has no degree in journalism; no professional training as a reporter; and has never been employed as a reporter or journalist." If that's a requirement to be a journalist these days, then an awful lot of folks doing serious journalism work wouldn't be considered journalists either. There are no professional requirements to be a journalist. Second, Niro claims that Frenkel wasn't very nice in his posts, highlighting the Troll Tracker's rather amusing "haiku" contests, that tended to make fun of patent hoarders and (sometimes) Niro. Of course, there's nothing in engaging with your readers with amusing haiku contests that makes you any less of a journalist. Third, Niro says that since Cisco was Frenkel's employer, he's clearly not a journalist but something of a corporate mouthpiece. Of course, there's little evidence to suggest that Frenkel was doing anything on behalf of Cisco, but more importantly, (as Mullins points out) biased reporting doesn't disqualify you from being a journalist. If it did, how many "journalists" would still be around? And fourth, Niro claims that Frenkel was guilty of various journalistic ethics violations, such as writing anonymously (someone better alert the Economist) and not revealing his sources (always knew that Woodward and Bernstein weren't real journalists).
The simple fact is that you don't need a degree or a certificate to be a journalist these days. You just need to report the news -- and no one can deny that Frenkel did that. In fact, he was much more of a journalist than many "official" journalists these days in that he reported on news that wasn't getting covered anywhere else and did some pretty hefty investigative work on some to try to work out the details behind some of the patent hoarding company shell games. In fact, since he took down his site, the type of news he reported has been sadly missing from the discussions on patent law and patent reform. On that note, it's probably also worth pointing out that Frenkel said in his own filing on the case that he's planning to return to blogging at some point in the future.
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China Shows Again That Stronger IP Protection Comes After There's Content To Protect, Not Before
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How Do You Legislate Fewer Attacks On Homeland Security's Network?
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Skype Concedes In GPL Dispute
His actual point, which got less attention, was whether the power of the GPL specifically is waning as other licenses gain prominence -- and, specifically, whether it would be so horrible if the GPL somehow went away. He's not suggesting that's a likely or ideal scenario -- just questioning what would happen. And, the point he makes is that while the GPL paved a very important path, we're seeing other options now appearing, and that's a good thing for open source. Developers now have a much bigger choice among licenses they can choose to adopt, and that competition can lead to interesting innovations. It's not an anti-GPL post -- but recognition that the hopes and dreams of open source software development are no longer tied to the success or failure of the GPL. And that's a good thing for both the GPL and open source.
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If Copyright Is About Incentive, Should It Allow Total Control Over The Work?
Most specifically, this argument is going to become more and more important as content creation increasingly moves away from a "broadcast" model to a many-to-many "communications" model. In such a world, things like fair use, derivative works and whether someone should "own" all downstream uses become much more important: None of copyright's current doctrinal devices enable courts to circumscribe a creator's entitlement by reference to the incentive structure that the institution is premised on. As a direct consequence, creators (and their assignees) are often thought to be 'rightfully entitled' to any revenue stream associated with their creation, whether or not it owes its existence solely to the creator and regardless of it having been developed well after the creation of the work.... Individuals will (and can) not factor the unforeseeable consequences of their actions into their ex ante reasons for acting. Consequently, limiting copyright's grant of exclusivity to uses of the creative work that were foreseeable to a creator at the time of creation is likely to better align creators' creative decision-making with their incentives. In other words, just because your work is used in part by another to create something new and different, it often doesn't make sense to give the original creator control over that work -- especially if it has nothing to do with the original incentive to create. Somehow, I'd imagine that JK Rowling would disagree.
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Congress Follows States' Lead In Trying To Ban Stores From Selling Violent Video Games To Kids
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Patent Attorney Stephan Kinsella Presents On Why We Need To Rethink Intellectual Property
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Bank of America's We-Don't-Need-No-Stinking-America Patent Application
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The Happy Birthday Copyright Saga: Generating Millions On A Copyright That May Not Exist
The sisters in question may have written the melody, but they almost definitely did not write the lyrics (their original copyright was on a different set of lyrics, "Good Morning to All"). As for the melody, there's plenty of evidence to suggest that it was actually taken from a series of extremely similar songs. So, there's a good chance they wrote neither the melody nor the lyrics. Also, there are numerous questions concerning whether or not the copyright holders correctly followed the various rules required of copyright holders at the time, suggesting that even if there were a legal copyright at some point, it's long since expired. And, of course, there's even some evidence to suggest less-than-legal tactics involved with transferring around some of the interest in the song. Amazingly, however, the legitimacy of the copyright has never been determined in court, and it now generates over $2 million per year. Over 1% of the money that ASCAP distributes to songwriters is for this one song, even though it may not be legitimate. Somehow, I doubt this is what the Founding Fathers intended when they wrote the Constitution.
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Who Says Patent Lawsuits Aren't Sexy?
However, when Immersion won its patent infringement lawsuit against Sony for its use of force feedback controllers on Sony gaming consoles, ISLLC apparently felt that Immersion owed it some of the proceeds. It hired famed patent attorney (and patent system expert) Mark Lemley to represent it. However, for somewhat unclear reasons, Lemley now appears to want nothing whatsoever to do with ISLLC and has asked to withdraw from the case. ISLLC has now hired other lawyers just to force Lemley to still represent it in its lawsuit against Immersion. It's like a patent battle soap opera -- complete with sex toys. See, just because stories are about patents, doesn't mean that they're not sexy.
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